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Code Sort by code
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Type Sort by type
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| 3D ANIMATION & VISUAL EFFECTS (VFX) FOR GAMES |
GDD501_AY_A |
Module |
| 3D ANIMATION FOR GAMES |
GDD523_S2_A |
Module |
| ACQUISITION FOR VFX |
ANI505_S1_A |
Module |
| ACTING FOR CHARACTER ANIMATORS |
ANI504_S1_A |
Module |
| ACTION PERFORMANCE 02: RIDING, DRIVING & CLIMBING |
SCA625_S1_A |
Module |
| ACTION PERFORMANCE 1: WEAPONRY & COMBAT |
SCA523_S2_A |
Module |
| ADAPTATION |
SCW423_S1_A |
Module |
| ADVANCED ANIMATION SKILLS DEVELOPMENT |
ANI601_AY_A |
Module |
| ADVANCED CINEMATOGRAPHY |
DFT601_S1_A |
Module |
| ADVANCED DESIGN & DEVELOPMENT |
GDD622_S1_A |
Module |
| ADVANCED DIGITAL PHOTOGRAPHY |
CDM601_S1_A |
Module |
| ADVANCED DIGITAL PHOTOGRAPHY |
MCM622_S2_A |
Module |
| ADVANCED ESPORTS PSYCHOLOGY |
ESP623_S1_A |
Module |
| ADVANCED INDUCTIONS |
SCA431_S1_A |
Module |
| ADVANCED SAMPLING PROJECT |
APMT601_S1_A |
Module |
| ADVANCED SKILLS PROJECT |
ANI621_S1_A |
Module |
| ADVANCED VFX SKILLS DEVELOPMENT |
ANI602_AY_A |
Module |
| ALTERNATIVE MEDIA PRODUCTION |
CDM505_S2_A |
Module |
| AMERICAN TV DRAMA |
MCM606_S1_A |
Module |
| ANALYSIS, PRACTICE & TECHNIQUE |
MACDT701_S2_A |
Module |
| ANALYSIS, PRACTICE AND TECHNIQUE |
MACDT730_S1_A |
Module |
| ANIMATION & VFX FOR GAMES |
ANI605_S1_A |
Module |
| ANIMATION & VFX FOUNDATION |
ANI421_S1_A |
Module |
| ANIMATION SKILLS DEVELOPMENT |
ANI501_AY_A |
Module |
| ANIMATION SKILLS DEVELOPMENT |
ANI521_AY_A |
Module |
| ART & VISUAL DESIGN: AN INTRODUCTION |
GDD423_S1_A |
Module |
| ASSET CREATION SKILLS DEVELOPMENT |
ANI522_AY_A |
Module |
| AUDIO AND MUSIC FOR VIDEO GAMES |
GDD603_S2_A |
Module |
| AUDIO CAPTURE & DESIGN |
CDM506_S1_A |
Module |
| AUDIO DRAMA |
SCW424_S2_A |
Module |
| AUDIO FOR VIDEO GAMES |
GDD623_S2_A |
Module |
| AUDIO POST PRODUCTION |
APMT602_S1_A |
Module |
| AUDIO POST PRODUCTION |
APMT622_S1_A |
Module |
| AUDITION PRACTICE FOR ACTORS & DIRECTORS |
SACT607_S1_A |
Module |
| BRITISH FILM |
MCM508_S1_A |
Module |
| BUSINESS OF ESPORTS |
ESP522_S1_A |
Module |
| BUSINESS OF ESPORTS |
ESP404_S1_A |
Module |
| BUSINESS OF PRODUCTION |
DFPS602_S1_A |
Module |
| BUSINESS OF PRODUCTION |
DFPS602_S2_A |
Module |
| CAMPAIGN WRITING |
SCW603_S2_A |
Module |
| CHARACTER ANIMATION FUNDAMENTALS |
ANI422_S2_A |
Module |
| CHARACTER ASSET CREATION |
ANI423_S2_A |
Module |
| CINEMATOGRAPHY FOR ANIMATION & VFX |
ANI503_S1_A |
Module |
| CLASSICAL HOLLYWOOD |
MSL406_S2_A |
Module |
| COLLABORATIVE PROJECT |
MACDT710_S1_A |
Module |
| COLLABORATIVE PROJECT |
APMT603_S2_A |
Module |
| COLLABORATIVE PROJECT: COMMISSIONED FILM |
MACDT709_S1_A |
Module |
| COLLABORATIVE PROJECT: COMMISSIONED FILM |
MACDT709_S2_A |
Module |
| COMEDY |
MCM506_S2_A |
Module |
| COMMISSIONED PROJECT: EXTERNAL CLIENT |
SPM605_S1_A |
Module |
| COMMISSIONED PROJECT: EXTERNAL CLIENT |
SPM625_S1_A |
Module |
| COMMISSIONED PROJECT: INTERNAL CLIENT |
SPM606_S2_A |
Module |
| COMMISSIONED PROJECT: INTERNAL CLIENT |
SPM622_S2_A |
Module |
| COMPOSER'S TOOLKIT |
MACDT725_S2_A |
Module |
| COMPOSING FOR THE MOVING IMAGE: FILM, TV AND GAMES |
MACDT711_S2_A |
Module |
| COMPOSING FOR THE MOVING IMAGE: FILM, TV AND GAMES |
MACDT724_S2_A |
Module |
| COMPOSITIONAL TECHNIQUES: STYLES AND GENRES |
MACDT713_S2_A |
Module |
| COMPOSITIONAL TECHNIQUES: STYLES AND GENRES |
MACDT722_S1_A |
Module |
| COSTUME DRAMA |
SACT501_S1_A |
Module |
| CREATIVE PORTFOLIO |
DFPS605_S2_A |
Module |
| DESIGN FUNDAMENTALS |
GDD421_S1_A |
Module |
| DEVELOPING THE ART OF ACTING |
SCA423_S2_A |
Module |
| DEVELOPING THE ART OF ACTING |
SACT403_S2_A |
Module |
| DIGITAL CINEMATOGRAPHY |
DFT501_S1_A |
Module |
| DIGITAL CINEMATOGRAPHY 01 |
DFT522_S1_A |
Module |
| DIGITAL CINEMATOGRAPHY 2 |
DFP621_S1_A |
Module |
| DIGITAL CONTENT CREATION & PERSONAL BRANDING |
ESP606_S1_A |
Module |
| DIGITAL DESIGN GRAPHICS & MOTION GRAPHICS |
DFT421_S1_A |
Module |
| DIGITAL DESIGN GRAPHICS & MOTION GRAPHICS |
CDM402_S1_A |
Module |
| DIGITAL FILM OPERATIONS |
MSL410_S1_A |
Module |
| DIGITAL FILM OPERATIONS |
DFPS403_S1_A |
Module |
| DIGITAL FILM OPERATIONS |
DFP422_S1_A |
Module |
| DIGITAL IMAGE FUNDAMENTALS AND WORKFLOWS |
CDM401_S1_A |
Module |
| DIGITAL MARKETING |
MCM602_S1_A |
Module |
| DIGITAL PHOTOGRAPHY |
MCM523_S1_A |
Module |
| DIRECTING ACTORS 1: SINGLE CAMERA |
DFPS505_S1_A |
Module |
| DIRECTING ACTORS 2 - MULTICAMERA |
SACT604_S1_A |
Module |
| DIRECTING FOR ACTORS 01 |
DFP525_S1_A |
Module |
| DISSERTATION (M&C) |
MCM621_AY_A |
Module |
| DISSERTATION OR INDIVIDUAL PRACTICE |
MCM601_AY_A |
Module |
| DISSERTATION PRACTICAL PROJECT OR RESEARCH PROJECT |
MACDT733_S2_A |
Module |
| DOCUMENTARY |
MCM526_S2_A |
Module |
| DOCUMENTARY PROJECT |
MCM605_S1_A |
Module |
| DOCUMENTARY PROJECT |
MCM625_S1_A |
Module |
| DOCUMENTARY: HISTORY & PRACTICE |
MCM405_S2_A |
Module |
| DRAMA CRAFT |
DFP521_S1_A |
Module |
| DRAMA CRAFT |
DFPS503_S1_A |
Module |
| DYNAMICS AND SIMULATIONS FOR FX ANIMATION |
ANI509_S2_A |
Module |
| ENHANCED TRADE CRAFT 1: WEAPONRY & STUNTS |
SACT603_S1_A |
Module |
| ENHANCED TRADE CRAFT 1: WEAPONRY & STUNTS |
SACT603_S2_A |
Module |
| ENHANCED TRADE CRAFT 2: RIDING, DRIVING & CLIMBING |
SACT605_S2_A |
Module |
| ENHANCED TRADE CRAFT 2: RIDING, DRIVING & CLIMBING |
SACT605_S1_A |
Module |
| ETHICS AND CODES OF CONDUCT |
ESP505_S2_A |
Module |
| ETHICS AND CODES OF CONDUCT |
ESP423_S1_A |
Module |
| FACIAL PERFORMANCE FOR MOTION CAPTURE |
SCA622_S1_A |
Module |
| FACTUAL INTERVIEW TECHNIQUES |
SPM506_S1_A |
Module |
| FIELD AND LOCATION RECORDING |
APMT523_S1_A |
Module |
| FIELD AND LOCATION RECORDING |
APMT501_S1_A |
Module |
| FILM COMPOSITION - WORKING WITH MUSIC AND COMPOSERS IN FILM, TV AND VIDEO GAMES |
DFPS601_S1_A |
Module |
| FILM FESTIVALS |
DFP623_S1_A |
Module |
| FILM MAKING PRACTICE & PREVIZ |
ANI523_S1_A |
Module |
| FILMING PERFORMANCE |
DFPS406_S2_A |
Module |
| FILMING PERFORMANCE |
MSL408_S2_A |
Module |
| FINAL CREATIVE PROJECT |
SACT601_AY_A |
Module |
| FINAL CREATIVE PROJECT |
SCA621_S2_A |
Module |
| FINAL MAJOR PROJECT - 3D ANIMATION & VFX |
ANI603_AY_A |
Module |
| FINAL MAJOR PROJECT - 3D ANIMATION & VFX |
ANI623_AY_A |
Module |
| FINAL MAJOR PROJECT - CDM |
CDM603_AY_A |
Module |
| FINAL MAJOR PROJECT - FILM PRODUCTION |
DFP626_AY_A |
Module |
| FINAL MAJOR PROJECT - PERSONAL FILM PROJECT |
DFP627_AY_A |
Module |
| FINAL MAJOR PROJECT - SCREENWRITING |
SCW621_AY_A |
Module |
| FINAL MAJOR PROJECT: FILM |
DFT602_AY_A |
Module |
| FINAL MAJOR PROJECT: PRODUCTION |
DFPS600_AY_A |
Module |
| FINAL YEAR GAMES DESIGN PROJECT |
GDD601_AY_A |
Module |
| FINAL YEAR: MAJOR PROJECT |
GDD621_AY_A |
Module |
| FOUNDATIONS OF SCREENWRITING |
SCW421_S1_A |
Module |
| FOUNDATIONS OF STORY |
SCW404_S1_A |
Module |
| FOUNDATIONS OF STORY |
MSL400_S1_A |
Module |
| FUNADAMENTALS OF ACOUSTICS AND DIGITAL AUDIO |
APMT401_S1_A |
Module |
| FUNDAMENTALS OF ACOUSTICS AND STUDIO TECHNOLOGIES |
APMT421_S1_A |
Module |
| FUNDAMENTALS OF ANIMATION |
ANI402A_S2_A |
Module |
| FUNDAMENTALS OF ASSET CREATION |
ANI402B_S2_A |
Module |
| FUNDAMENTALS OF ASSET CREATION & ANIMATION |
ANI402_S2_A |
Module |
| FUNDAMENTALS OF LIGHTING & VFX COMPOSITING |
ANI403_S2_A |
Module |
| GAME ANALYSIS |
ESP402_S1_A |
Module |
| GAMES BEYOND ENTERTAINMENT |
GDD625_S2_A |
Module |
| GAMES DESIGN HISTORY & CONTEXT |
GDD401_S1_A |
Module |
| GAMES DESIGN PROJECT |
GDD521_AY_A |
Module |
| GAMES DESIGN PROJECT |
GDD502_AY_A |
Module |
| GAMES INDUSTRY & CREATIVE CAREERS |
GDD604_S1_A |
Module |
| GAMES INDUSTRY CAREERS |
GDD624_S1_A |
Module |
| GAMES PRODUCTION |
GDD522_S1_A |
Module |
| GAMES PRODUCTION |
GDD503_S1_A |
Module |
| GAMES THEORY & CRITICISM |
GDD426_S2_A |
Module |
| GAMES: SOCIAL AND CULTURAL CONTEXTS |
GDD524_S1_A |
Module |
| GAMING |
MCM603_S2_A |
Module |
| GLOBAL CINEMA |
MCM624_S1_A |
Module |
| GLOBAL TELEVISION AND CINEMA |
MCM604_S2_A |
Module |
| GLOBAL TV |
MCM527_S2_A |
Module |
| GREEN SCREEN & COMPOSITING |
CDM405_S2_A |
Module |
| GREEN SCREEN AND COMPOSITING |
DFT422_S2_A |
Module |
| HISTORICAL CONTEXT AND CURRENT TRENDS |
ANI404_S1_A |
Module |
| HISTORY & THEORY OF THE SCREENPLAY |
SCW406_S2_A |
Module |
| HISTORY AND THEORY OF THE SCREENPLAY |
MSL420_S2_A |
Module |
| HOLLYWOOD FILM MAKING |
MCM404_S2_A |
Module |
| HORROR |
MCM666X_S1_A |
Module |
| HORROR |
MCM666_S1_A |
Module |
| ICONIC SCREEN CHARACTERS |
SCW523_S1_A |
Module |
| IMMERSIVE TECHNOLOGIES AND THE COMPETITIVE GAME PLAYER |
ESP603_S1_A |
Module |
| INDEPENDENT PROJECT |
SPM601_AY_A |
Module |
| INDEPENDENT PROJECT - DISSERTATION |
SPM621_AY_A |
Module |
| INDEPENDENT RESEARCH PROJECT |
ESP624_S2_A |
Module |
| INDIVIDUAL PROJECT |
DFPS604_S2_A |
Module |
| INDIVIDUAL PROJECT |
DFPS604_AY_A |
Module |
| INDIVIDUAL PROJECT |
DFPS604_S1_A |
Module |
| INDIVIDUAL PROJECT |
DCI621_AY_A |
Module |
| INDUCTION WORKSHOP |
CDT600_AY_A |
Module |
| INDUCTION WORKSHOP |
CDT400_AY_C |
Module |
| INDUCTION WORKSHOP |
CDT400_AY_B |
Module |
| INDUCTION WORKSHOP |
CDT500_S1_B |
Module |
| INDUCTION WORKSHOP |
CDT500_S1_C |
Module |
| INDUCTION WORKSHOP |
CDT500_S1_A |
Module |
| INDUCTION WORKSHOP |
CDT600_S1_B |
Module |
| INDUCTION WORKSHOP |
CDT600_S1_A |
Module |
| INDUCTION WORKSHOP |
CDT400_AY_A |
Module |
| INDUCTION WORKSHOP |
CDT600_S1_C |
Module |
| INDUCTION WORKSHOP |
CDT600_AY_B |
Module |
| INDUCTION WORKSHOP |
CDT500_AY_B |
Module |
| INDUCTION WORKSHOP |
CDT500_AY_A |
Module |
| INDUSTRY & PITCHING |
SCW622_S1_A |
Module |
| INDUSTRY ENGAGEMENT AND CONVENTIONS |
MCM505_S1_A |
Module |
| INDUSTRY PREPAREDNESS |
ANI622_S2_A |
Module |
| INDUSTRY, ENGAGEMENT & FILM FESTIVALS |
DFPS603_S1_A |
Module |
| INFORMATION AND DISINFORMATION |
MCM522_S1_A |
Module |
| INFORMATION, COMMUNICATION & CULTURAL DEVELOPMENT |
ESP406_S2_A |
Module |
| INTRODUCTION TO 3D ART |
GDD425_S2_A |
Module |
| INTRODUCTION TO 3D COMPUTER GRAPHICS |
GDD403_S2_A |
Module |
| INTRODUCTION TO 3D COMPUTER GRAPHICS |
CDM502_S1_A |
Module |
| INTRODUCTION TO ANIMATION & VISUAL EFFECTS (VFX) |
ANI401_S1_A |
Module |
| INTRODUCTION TO ESPORTS EVENTS |
ESP403_S1_A |
Module |
| INTRODUCTION TO ESPORTS: HISTORY & CONTEXT |
ESP422_S1_A |
Module |
| INTRODUCTION TO FILM STUDIES |
MCM423_S2_A |
Module |
| INTRODUCTION TO JOURNALISM |
MCM426_S2_A |
Module |
| INTRODUCTION TO MEDIA AND COMMUNICATIONS |
MCM421_S1_A |
Module |
| INTRODUCTION TO MOBILE COMMUNICATIONS |
MCM425_S2_A |
Module |
| INTRODUCTION TO MOBILE COMMUNICATIONS |
MCM425_S1_A |
Module |
| INTRODUCTION TO MOTION CONTROL |
CDM403_S2_A |
Module |
| INTRODUCTION TO SPORTS MEDIA |
SPM401_S1_A |
Module |
| INTRODUCTION TO SPORTS MEDIA |
SPM421_S1_A |
Module |
| INTRODUCTION TO THE ART OF ACTING |
SCA421_S1_A |
Module |
| INTRODUCTION TO THE ART OF ACTING |
SACT401_S1_A |
Module |
| JOURNALISM |
MCM406_S2_A |
Module |
| JOURNALISM AND BLOG CULTURE |
MCM504_S2_A |
Module |
| JOURNALISM AND CONTENT |
MCM521_S1_A |
Module |
| LIGHTING & GRIP |
DFT502_S2_A |
Module |
| LIVE ACTION & CG COMPOSITING |
ANI424_S2_A |
Module |
| LIVE EVENT PRODUCTION |
ESP621_AY_A |
Module |
| LIVE EVENT PRODUCTION |
ESP605_S2_A |
Module |
| LIVE SOUND ENGINEERING |
APMT525_S2_A |
Module |
| MAJOR INDIVIDUAL PROJECT OR DISSERTATION |
APMT624_AY_A |
Module |
| MARKETING AND ADVERTISING |
MCM502_S1_A |
Module |
| MARKETING AND ADVERTISING |
MCM525_S2_A |
Module |
| MEDIA INDUSTRIES |
MCM501_S1_A |
Module |
| MEDIA PRODUCTION FOR ESPORTS: MARKETING, CASTING AND CONTENT |
ESP424_S2_A |
Module |
| MEDIA SPORT 2.0 AND BEYOND |
SPM523_S2_A |
Module |
| MEDIASPORT 2.0 AND BEYOND |
SPM503_S2_A |
Module |
| MEISNER WORKSHOPS |
SCA430_S2_A |
Module |
| MEISNER WORKSHOPS |
SCA524_S2_A |
Module |
| MEN, WOMEN AND THE MOVIES |
MCM608_S2_A |
Module |
| MOBILE COMMUNICATIONS |
MCM403_S2_A |
Module |
| MOCAP DYNAMIC PERFORMANCE |
SCA522_S2_A |
Module |
| MOTION CAPTURE |
ANI525_S2_A |
Module |
| MOTION CAPTURE & MOTION TRACKING TECHNOLOGIES |
DFT521_S1_A |
Module |
| MOTION CAPTURE AND MOTION TRACKING TECHNOLOGIES |
CDM501_S1_A |
Module |
| MOTION CAPTURE FACE / FEATURE TRACKING TECHNOLOGIES |
CDM602_S1_A |
Module |
| MOTION CAPTURE FACE / FEATURE TRACKING TECHNOLOGIES |
VFX621_S1_A |
Module |
| MOTION CAPTURE SUIT TECHNOLOGIES |
DFT523_S2_A |
Module |
| MOTION CAPTURE SUIT TECHNOLOGIES |
CDM503_S2_A |
Module |
| MOTORSPORT AND SIMULATION |
ESP502_S1_A |
Module |
| MULTI-CAMERA LIVE EVENTS |
SPM505_S2_A |
Module |
| MULTI-CAMERA OPERATIONS |
SPM525_S2_A |
Module |
| MUSIC FOR THE MOVING IMAGE |
APMT502_S2_A |
Module |
| MUSIC FOR THE MOVING IMAGE |
APMT623_S2_A |
Module |
| MUSIC MASTERING |
APMT524_S2_A |
Module |
| MUSIC MASTERING |
APMT503_S2_A |
Module |
| MUSIC, MARKETING & PROMOTION |
MCM401_S1_A |
Module |
| MUSIC, MARKETING AND PROMOTION |
MCM424_S1_A |
Module |
| MUSIC, MARKETING AND PROMOTION |
MCM424_S2_A |
Module |
| NARRATIVE DESIGN AND INTERACTIVE FICTION |
GDD525_S2_A |
Module |
| NEW TV |
MSL409_S1_A |
Module |
| NEW TV |
MCM407_S1_A |
Module |
| ONLINE EDITING, COLOUR GRADING AND DELIVERABLES |
DFP624_S2_A |
Module |
| ONLINE EDITING, GRADING & DELIVERABLES |
DFT603_S2_A |
Module |
| ONLINE EVENT PRODUCTION |
ESP523_AY_A |
Module |
| ONLINE EVENT PRODUCTION |
ESP503_AY_A |
Module |
| ONLINE PORTFOLIO |
DFP625_S2_A |
Module |
| PERSONAL STUDY - PRODUCTION |
MSL605_AY_A |
Module |
| PERSONAL STUDY - SCREENWRITING |
MSL606_AY_A |
Module |
| PERSONAL STUDY - SCREENWRITING |
SCW601_AY_A |
Module |
| PERSONAL STUDY SUPPORT (PRODUCTION) |
MSL607_AY_A |
Module |
| PERSONAL STUDY SUPPORT (SCREENWRITING) |
MSL616_S1_A |
Module |
| PERSONAL STUDY SUPPORT - SCREENWRITING |
SCW602_S1_A |
Module |
| PHOTOGRAPHY: HISTORY & PRACTICE |
MCM402_S1_A |
Module |
| POETRY FILM |
DFP423_S2_A |
Module |
| POLITICS OF CELEBRITY |
MCM503_S2_A |
Module |
| POLITICS OF CELEBRITY |
MCM524_S2_A |
Module |
| POST PRODUCTION |
DFT504_S2_A |
Module |
| POST PRODUCTION 01 |
DFP424_S2_A |
Module |
| POST PRODUCTION 02 |
DFT524_S2_A |
Module |
| PRACTICAL PROJECT OR RESEARCH PROJECT |
MACDT705_S1_A |
Module |
| PRACTICAL PROJECT OR RESEARCH PROJECT |
MACDT705_AY_A |
Module |
| PRACTICAL PROJECT OR RESEARCH PROJECT |
MACDT705_S2_A |
Module |
| PRACTICE TOOLKIT |
MCM408_S1_A |
Module |
| PRACTICE TOOLKIT |
MSL412_S1_A |
Module |
| PRACTICE TOOLKIT |
MCM422_S1_A |
Module |
| PRE-VISUALISATION |
CDM404_S2_A |
Module |
| PREPARATION FOR ACTING CAREERS |
SCA626_S2_A |
Module |
| PRO TOOLS 101 |
APMT422_S1_A |
Module |
| PRO TOOLS 110 |
APMT425_S2_A |
Module |
| PRODUCTION DESIGN |
DFPS502_S2_A |
Module |
| PRODUCTION DESIGN |
DFP524_S2_A |
Module |
| PRODUCTION MANAGEMENT |
DFP522_S1_A |
Module |
| PRODUCTION OPERATIONS |
MACDT707_S2_A |
Module |
| PRODUCTION OPERATIONS |
DFPS501_S1_A |
Module |
| PROFESSIONAL STUDIO PRACTICE |
ANI506_S2_A |
Module |
| PROGRAMMING AND PRODUCTION |
MACDT723_S1_A |
Module |
| PROGRAMMING FOR GAMES |
GDD402_S2_A |
Module |
| PROGRAMMING, PRODUCTION AND STUDIO TECHNOLOGIES |
MACDT712_S2_A |
Module |
| PROTOTYPES & PROGRAMMING PRINCIPLES |
GDD422_S1_A |
Module |
| PSYCHOLOGY FOR SCREENWRITING |
SCW505_S1_A |
Module |
| PSYCHOLOGY IN SCREENWRITING |
SCW525_S2_A |
Module |
| REALITY TV IN THE DIGITAL AGE |
MCM507_S1_A |
Module |
| REHEARSALS, CASTING & AUDITIONS |
SACT404_S2_A |
Module |
| RESEARCH AND THE INDUSTRY |
MACDT721_AY_A |
Module |
| RESEARCH AND THE INDUSTRY |
MACDT703_S2_A |
Module |
| RESEARCH AND THE INDUSTRY |
MACDT703_S1_A |
Module |
| RESEARCH AND THE INDUSTRY |
MACDT721_S2_A |
Module |
| RESEARCH PROJECT |
MACDT727_AY_A |
Module |
| RESILIENCE AND THE FREELANCER |
SACT606_S2_A |
Module |
| SCREEN ACTING INTRODUCTION: HISTORY & PRACTICE |
SCA422_S1_A |
Module |
| SCREEN ACTING INTRODUCTION: HISTORY & PRACTICE |
SACT402_S1_A |
Module |
| SCREEN ACTING PERFORMANCE PROJECTS |
MACDT702_S1_A |
Module |
| SCREEN ACTING PERFORMANCE PROJECTS |
MACDT702_S2_A |
Module |
| SCREEN ACTING PERFORMANCE PROJECTS: PART 1 |
MACDT728_S1_A |
Module |
| SCREEN ACTING PERFORMANCE PROJECTS: PART 2 |
MACDT729_S2_A |
Module |
| SCREENWRITING STRUCTURE |
SCW425_S2_A |
Module |
| SCREENWRITING STRUCTURE |
MSL418_S2_A |
Module |
| SCREENWRITING STRUCTURE |
SCW405_S2_A |
Module |
| SCRIPT TO SCREEN |
MSL415_S2_A |
Module |
| SCRIPT TO SCREEN |
MSL411_S2_A |
Module |
| SCRIPT TO SCREEN |
DFPS404_S2_A |
Module |
| SEQUENCING AND PROGRAMMING |
APMT402_S2_A |
Module |
| SEQUENCING AND PROGRAMMING |
APMT424_S2_A |
Module |
| SHOCKING TEXTS |
MCM607_S2_A |
Module |
| SHORT DRAMA |
DFPS504_S2_A |
Module |
| SHORT DRAMA |
DFP523_S2_A |
Module |
| SKILLS - ANALYSIS |
DFPS401_S1_A |
Module |
| SKILLS 2 - TECHNICAL AND OPERATIONS |
DFPS402_S2_A |
Module |
| SKILLS DEVELOPMENT 1: SINGLE & TEAM GAMES ANALYSIS |
ESP421_AY_A |
Module |
| SKILLS DEVELOPMENT 1; SINGLE & MULTIPLAYER GAMES |
ESP401_AY_A |
Module |
| SKILLS DEVELOPMENT 2: GAMEPLAY, STRATEGY AND GAME ANALYSIS |
ESP521_AY_A |
Module |
| SKILLS DEVELOPMENT 2; STRATEGY & GAMEPLAY |
ESP501_AY_A |
Module |
| SKILLS DEVELOPMENT 3: COACHING, MANAGEMENT & ESPORTS CAREERS |
ESP622_AY_A |
Module |
| SKILLS DEVELOPMENT 3; COACHING, MANAGEMENT & PERFORMANCE |
ESP601_AY_A |
Module |
| SOUND & VISION |
DFP421_S1_A |
Module |
| SOUND DESIGN, ADR AND FOLEY |
APMT504_S2_A |
Module |
| SOUND DESIGN, ADR AND FOLEY |
APMT526_S2_A |
Module |
| SOUND ENGINEERING AND MUSIC PRODUCTION |
APMT522_S1_A |
Module |
| SOUND ENGINEERING AND MUSIC PRODUCTION |
APMT505_S1_A |
Module |
| SPECIALIST CRAFT SKILLS |
MACDT704_S1_A |
Module |
| SPECIALIST CRAFT SKILLS |
MACDT704_S2_A |
Module |
| SPECIALIST CRAFT SKILLS (FILM PRODUCTION) |
MACDT708_S2_A |
Module |
| SPECIALIST CRAFT SKILLS PART 1: ACTION PERFORMANCE - COMBAT AND WEAPONRY |
MACDT732_S1_A |
Module |
| SPECIALIST CRAFT SKILLS PART 2: ACTION PERFORMANCE - COMBAT AND WEAPONRY |
MACDT732_S2_A |
Module |
| SPECIALIST CRAFT SKILLS PART 2: AUDIO WORK & MOTION CAPTURE |
MACDT731_S2_A |
Module |
| SPECIALIST PROJECT |
MACDT726_S2_A |
Module |
| SPECIALIST PROJECT |
MACDT726_AY_A |
Module |
| SPECIALIST PROJECT |
MACDT706_S2_A |
Module |
| SPECIALIST PROJECT OR RESEARCH PROJECT |
APMT604_AY_A |
Module |
| SPORT AND FILM |
SPM501_S1_A |
Module |
| SPORT AND FILM |
SPM521_S1_A |
Module |
| SPORT AND TELEVISION |
SPM402_S2_A |
Module |
| SPORT AND TELEVISION |
SPM422_S2_A |
Module |
| SPORTS BROADCASTING: SERIES DEVELOPMENT AND COMMISSIONING |
SPM623_S1_A |
Module |
| SPORTS BROADCASTING: SERIES DEVELOPMENT AND COMMISSIONING |
SPM603_S1_A |
Module |
| SPORTS BROADCASTING: SKILLS |
SPM602_S1_A |
Module |
| SPORTS BROADCASTING: STUDIO PRODUCTION |
SPM624_S2_A |
Module |
| SPORTS BROADCASTING: STUDIO PRODUCTION |
SPM604_S2_A |
Module |
| SPORTS JOURNALISM AND NEWS CULTURE |
SPM423_S2_A |
Module |
| SPORTS JOURNALISM AND NEWS CULTURE |
SPM403_S2_A |
Module |
| SPORTS MEDIA PRODUCTION ONE |
SPM522_S1_A |
Module |
| SPORTS MEDIA PRODUCTION ONE: INDOOR SPORT |
SPM502_S1_A |
Module |
| SPORTS MEDIA PRODUCTION TWO |
SPM524_S2_A |
Module |
| SPORTS MEDIA PRODUCTION TWO: OUTDOOR SPORT |
SPM504_S2_A |
Module |
| SPORTS MEDIA: VIDEO JOURNALISM |
SPM424_S2_A |
Module |
| SPORTS SCIENCE: FLOW STATE |
ESP425_S2_A |
Module |
| SPORTS SCIENCE: PHYSICALITY OF GAMING |
ESP524_S2_A |
Module |
| SPORTS SCIENCE; 'FLOW STATE' |
ESP405_S2_A |
Module |
| SPORTS SCIENCE; PHYSICALITY OF GAMING |
ESP504_S2_A |
Module |
| SPORTS SCIENCE; PSYCHOLOGY OF ESPORTS |
ESP602_S2_A |
Module |
| STUDIO AND RECORDING TECHNIQUES 1 |
APMT423_S1_A |
Module |
| STUDIO AND RECORDING TECHNIQUES 1 |
APMT403_S1_A |
Module |
| STUDIO AND RECORDING TECHNIQUES 2 |
APMT426_S2_A |
Module |
| STUDIO AND RECORDING TECHNIQUES 2 |
APMT404_S2_A |
Module |
| STUDIO INFRASTRUCTURES, IT AND DESIGN |
APMT605_S2_A |
Module |
| SYNTHESIS AND SAMPLING |
APMT506_S1_A |
Module |
| SYNTHESIS AND SAMPLING |
APMT521_S1_A |
Module |
| TECHNICAL INDUCTION |
CDT400_S1_A |
Module |
| TECHNICAL SESSIONS |
SCA525_S1_A |
Module |
| THE AUDIO ACTOR |
SCA623_S1_A |
Module |
| THE AUDIO ACTOR |
SACT502_S1_A |
Module |
| THE DEVISING ACTOR |
SCA521_S1_A |
Module |
| THE DEVISING ACTOR |
SACT503_S2_A |
Module |
| THE FACTUAL ACTOR: TV PRESENTING, ADVERTISING AND SCRIPTED REALITY |
SACT505_S2_A |
Module |
| THE VIRTUAL ACTOR 1: MOTION CAPTURE |
SACT504_S2_A |
Module |
| THE VIRTUAL ACTOR 2: FACIAL MOTION CAPTURE & HEAD RIGS |
SACT602_S1_A |
Module |
| THEORY TOOLKIT |
MCM409_S1_A |
Module |
| THEORY TOOLKIT |
MSL413_S1_A |
Module |
| TITLE AND CREDIT SEQUENCES |
ANI604_S1_A |
Module |
| VFX FOR FILM, TV & GAMES |
CDM504_S2_A |
Module |
| VFX PRODUCTION |
ANI524_AY_A |
Module |
| VFX SKILLS DEVELOPMENT |
ANI502_AY_A |
Module |
| VIRTUAL STUDIO TECHNOLOGIES |
APMT405_S2_A |
Module |
| WAR FILMS |
CDM507_S2_A |
Module |
| WORKING IN SPORTS MEDIA |
SPM500_S1_A |
Module |
| WORKING WITH 3D ENGINES |
GDD424_S2_A |
Module |
| WORKING WITH 3D ENGINES |
GDD605_S1_A |
Module |
| WORKING WITH MOTION CAPTURE |
ANI508_S2_A |
Module |
| WRITING FOR GAMES |
SCW521_S1_A |
Module |
| WRITING FOR GAMES |
SCW501_S2_A |
Module |
| WRITING THE FEATURE FILM |
SCW502_S2_A |
Module |
| WRITING THE SHORT FILM |
SCW503_S1_A |
Module |
| WRITING THE SHORT FILM |
SCW422_S1_A |
Module |
| WRITING THE TV BIBLE |
SCW522_S1_A |
Module |
| WRITING THE TV SCRIPT |
SCW524_S2_A |
Module |
| WRITING TV DRAMA |
SCW504_AY_A |
Module |
